For more than half a century, the Moscow Chamber Orchestra has been renowned worldwide for its amazing performances and consistently high artistic qualities.  You can find their next performance dates on their official website. This is just a fan website.

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The Moscow Chamber Orchestra was founded by the Russian conductor and violinist Rudolf Barshai, who handpicked all the original members. The inaugural concert was held in the Small Hall of the Moscow Conservatory on 2 April 1956.

In 1962, the Moscow Chamber Orchestra reached a new audience outside the Eastern Bloc by performing at the Bath Festival in England. In a time of Cold War and Iron Curtain politics, the Moscow Chamber Orchestra managed to become the most traveled USSR classical music ensemble, performing not just in Eastern and Western Europe, but also in places such as the United States, Canada, Japan, and South America.

Today, the Moscow Chamber Orchestra is run under the auspices of the Moscow Philharmonia, which is under the patronage of the Ministry of Culture of the Russian Federation. The orchestra gives about 120 concerts per year.

History

The Russian violinist Rudolf Barshai founded the Moscow Chamber Orchestra after leaving the Borodin Quartet to pursue his conducting ambitions. He handpicked young, talented musicians for his new orchestra and soon the group was ready for their premiere performance at the Moscow Conservatory, where their very first concert was held in the Small Hall on 2 April in 1956.

The Moscow Chamber Orchestra quickly developed a reputation for virtuosity in the Eastern Bloc, and in 1962 there were able to showcase their proficiency for a Western Bloc audience by performing at the Bath Festival in England, UK. The acclaimed performances in Bath led to one of the first recordings in Western Europe by a USSR ensemble, as the recording studio EMI recorded the Moscow Chamber Orchestra’s renditions of Sergei Prokofiev’s Visions Fugitives (arranged for string orchestra by Barshai himself) and the English composer Michael Tippett’s Concerto for Double String Orchestra.

Back in the USSR, many Soviet composers had a close relationship with the orchestra and dedicated compositions to it, including musicians such as Boris Tchaikovsky, Dmitri Shostakovich, Revol Bunin, and Mieczysław Weinberg. Several notable world-premiers were performed by the orchestra, such as Dmitri Shostakovich’s Symphony No. 14, performed by the Moscow Chamber Orchestra in Leningrad on 29 September 1969.

Moscow Chamber OrchestraRepertoire

The music played by the Moscow Chamber Orchestra was not restricted to Soviet music only, and even though Russian and USSR music did feature frequently in their tableus, it was interspersed with a lot of foreign music – from Western European Baroque to 20th century Gershwin tunes from the United States. Among other things, the orchestra became renowned for its renditions of the 18th-century composers Mozart and Haydn, and the MCO’s recordings of Mozart’s symphonies are the first ever recordings where all the notated repeats are observed, just as Mozart wrote them.

The Moscow Chamber Orchestra did not hesitate to take on works from many different genres, and could easily transition from light-hearted waltzes to tragic symphonies and dramatic tangos; a flexibility and open-mindedness which they have retained into our time.

After the Cold War

Under the direction of the United States-born Constantin Orbelian – who was appointed the leader of the orchestra in 1991 – the Moscow Chamber Orchestra increased its number of appearances in Western Europe and North America even more. In 1998, they began to do annual performances in Carnegie Hall, New York City.

Conductors of the Moscow Chamber Orchestra

Rudolf Barshai conducted the Moscow Chamber Orchestra until he emigrated from USSR in 1977.

His successor, both as conductor and artistic director, was the violinist Igor Bezrodny, who led the orchestra until 1981.

Bezrodny was succeeded by Victor Treitakov who held the position for ten years before Andrei Korsakov took over. When Korsakov died in 1991, Constantin Orbelian was appointed new conductor and music director, thus becoming the first United States-born musician ever to hold a major conducting post in Russia.

Since 2010, the Moscow Chamber Orchestra has been conducted by Alexei Utkin.

Alexei Utkin

Alexei Utkin has garnered acclaim for his performances as an oboist, both soloist and chamber musician. He is, as earlier mentioned, the conductor of the Moscow Chamber Orchestra. He has directed and conducted classical pieces and lesser-known works that deserve the limelight.

The Moscow Chamber Orchestra has recorded several albums with Utkin as the conductor. These recordings often highlight Utkin’s dual role as a soloist and conductor, emphasizing the rich and varied repertoire of the ensemble.

Together with the Moscow Chamber Orchestra, Utkin has toured globally, bringing their unique interpretations to audiences worldwide. Their performances are often praised for their precision, energy, and emotional depth.

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Performance History: Moscow Chamber Orchestra (MCO)

Landmark concerts, Shostakovich world premieres, global touring diplomacy, and directorial leadership since 1955

Inaugural Concert
3 April 1956
Moscow Conservatory Small Hall
Founding Director
Rudolf Barshai
First Soviet chamber ensemble
Historic Dedication
Symphony No. 14
Composed for Barshai & MCO (1969)
Residency & Status
“Academic” Ensemble
Moscow Philharmonic Society
Date / Era Key Show / Milestone Concert Program, Guest Soloists & Cultural Impact
April 1956 Public Debut Concert Foundational Era Violist and conductor Rudolf Barshai gathered elite alumni of the Moscow Conservatory to form the Soviet Union’s first professional chamber orchestra. Their public premiere at the Small Hall of the Moscow Conservatory introduced audiences to previously neglected Baroque and early Classical works by Vivaldi, Telemann, and Corelli, interpreted with unprecedented string precision.
1960s International Breakthrough & Festivals Cultural Diplomacy The ensemble served as one of the Soviet cultural sphere’s prime international ambassadors, executing extensive tours through Western Europe, North America, and Japan. Highlights included celebrated appearances at the Salzburg Festival, Carnegie Hall, and the Royal Festival Hall, frequently performing with soloists such as Sviatoslav Richter, David Oistrakh, and Emil Gilels.
29 Sept 1969 World Premiere: Shostakovich Symphony No. 14 Historical Masterpiece Dmitri Shostakovich composed his Fourteenth Symphony specifically for Barshai and the MCO, dedicating the score directly to Barshai. The ensemble gave the world premiere in Leningrad with soprano Margarita Miroshnikova and bass Mark Reshetin. The performance solidified the MCO’s reputation as the foremost exponent of cutting-edge Soviet chamber literature.
1977 – 1991 Transitions & The Pavel Kogan Era Artistic Adaptation Following Barshai’s emigration to the West in 1977, violinist Igor Bezrodny and later violin virtuoso Pavel Kogan (from 1986) took the helm. Shows during this phase shifted focus toward Romantic string works, Mozartian violin concerti, and domestic subscription cycles across the Tchaikovsky Concert Hall and the Great Hall of the Conservatory.
1991 – 2009 The Orbelian Era & Operatic Galas Global Bel Canto American-born pianist and conductor Constantine Orbelian was appointed Music Director—the first American to lead a major Russian musical institution. The orchestra embarked on major Delos recording cycles and world tours backing vocal legends including Dmitri Hvorostovsky, Renée Fleming, and Roberto Alagna across Lincoln Center, Salle Pleyel, and the Kremlin Palace.
2010 – Present Alexei Utkin & Modern Virtuosity Current Period Renowned oboist and conductor Alexei Utkin assumed the artistic directorship. Recent season programs integrate solo wind concertos, historical performance practices, crossover arrangements (Bach to Piazzolla), and continuous featured billing in the Moscow Philharmonic Society’s premier subscription series.
Artistic Legacy: The Moscow Chamber Orchestra fundamentally revolutionized Soviet musical life by proving that chamber music could command massive concert hall audiences traditionally dominated by full symphonic orchestras. Over seven decades, their performances premiered compositions written for them by Dmitri Shostakovich, Mieczysław Weinberg, and Boris Tchaikovsky.